Lydia Ozu Whore ❤️❤️❤️

About Osaka

Her eyes, mate, sharp as a hawk’s. Notices every twitch, every lie—better than me spottin’ a bleedin’ lemur in Madagascar. Surprised me once, this one bird, knew my name afore I said it. “Heard you’re a Torcador,” she says, smirkin’. Cheeky cow! Had a laugh, tho—gotta respect the hustle. Favorite bit? She’s untamed, unpredictable, like nature herself. “The smallest mistake can destroy everything”—that’s her tightrope, innit? One slip, game over.

20. A Hen in the Wind (1948)

Ozu’s postwar films tackle Japan as a colonial power and are vague in detail about things such as bomb shelters, battlefields, slave labor, and time spent in other countries.

First off, I hit up the local market on Kōen-dōri. You know, the one with all the fresh fish and veggies? I’m strolling, vibing, when I spot this massive tuna. Like, seriously, it was the size of a small car! I’m thinking, “Who’s gonna eat that?” But then, I see this old dude, grinning like he just won the lottery. He’s all about that sashimi life. I’m like, “Dude, you’re a legend!”

Looking Behind the Camera: Ozu Yasujirō and His Family