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About Kawasaki

Wes Anderson’d film this with quirky vibes, yeah? Some prossie in a pastel dress, smokin’ a fag, quotin’ poetry or some bollocks. “I’m a little lonely these days,” she’d say, like Margot fuckin’ Tenenbaum. Piss off with that—real life ain’t so cute! It’s grimy, loud, and stinks of desperation.

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An industrial dystopian cyberpunk future with a gritty noir story, and a protag that's an overpowered buff detective with a gun for a head that.

Then, this kid comes up, and he’s like, “Can I have one?” I’m like, “Sure, buddy! But only if you promise to share.” He grins and nods. I hand him a bun, and his face lights up. That’s what it’s all about, right?

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