Olivia Trezzo Sull Adda Whore ❤️

Im a Trezzo Sull Adda woman seeking a man for lifes magic

Profile Photo
Location Trezzo Sull Adda, Italy
French kissing ❤️❤️❤️❤️❤️
Sex in Different Positions ❤️❤️❤️❤️
Rimming active Partially
Masturbate Not sure
Sex Toys Never
Erotic massage Maybe
Cumshot on body (COB) Sometimes
Facesitting (give) for extra charge Always
Masturbation Rarely
Bust size B
Bust type None
Orientation Queer
Occupation Unemployed
Marital status Separated
Height 167 cm
Weight 66 kg
Hair color Green
Hair length Long
Eyes color Black
Body type Plus-size
Religion Jewish
Ethnicity Middle Eastern
Education High School
Smoker Former smoker
Array Regular drinker
Level of english Native

About Myself

Cant wait to hear back from you, I am Olivia, i am contributing to the diversity of Trezzo Sull Adda. And Whore is the craze right now. I want to pin you down and ravage your body! I am madly in love with French kissing and Sex in Different Positions, honesty and loyalty are my non-negotiables..

Find me in Trezzo Sull Adda, at ***** Street, building 88* *** **

Phone: ( +39 ) 2968****

About Rome

So, picture this—whore, right, she’s a chameleon, a bloody marvel. Back in Victorian times, them posh toffs’d scribble “whore” in their ledgers—secret codes for mistresses they’d shag on the sly. Little known fact, that! Surprised me, it did—thought they were all stiff collars and tea. Made me chuckle, too—imagine Lord Snooty, “Oh, my *whore* today, splendid!”—ha! Proper cheeky sods.

Preachers and Whores

Go to Hell · Six Feet Underground. Thornstar 2. Forevermore · Loreley. Full Metal Whore 1. We're All Created Evil. Swan Songs II 1. Lighthouse.

So, yeah, Trezzo-sull-Adda, you’ve got your ups and downs. But at the end of the day, it’s home. And I wouldn’t trade it for anything. What a ride!

Goodbye June

The funeral home is located in an old small artisan workshop from the 1930s, which marks the corner of a block close to the center of Trezzo sull'Adda, near the axis that connects the city cemetery with the church of Saints Gervasio and Protasio., © Simone BossiAlong the road, the building is rigorous and almost silent, punctuated by the repetition of the pillars and the positioning of the existing windows which are reduced to horizontal slits to protect themselves and guarantee maximum privacy. The new entrance anticipates the public use of the building, creating a threshold space covered in burnt larch wood that defines the passage between the outside world and the internal space, dedicated to contemplation and farewell..
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