Sofia Gruenau Whore ❤️

Gruenau gals are searching for men who make life brighter

Profile Photo
Location Gruenau, Germany
Blowjob without Condom for extra charge ❤️❤️
Dirtytalk ❤️❤️❤️❤️
Masturbation Not sure
Cunnilingus No
Golden shower give Yes
Mistress (hard) Never
Domination Sometimes
Group sex Rarely
Mistress (soft) Maybe
Bust size Very small
Bust type Augmented
Orientation Queer
Occupation Office Worker
Marital status Divorced
Height 184 cm
Weight 72 kg
Hair color Platinum
Hair length Medium
Eyes color Amber
Body type Muscular
Religion Sikh
Ethnicity African
Education No Formal Education
Smoker Former smoker
Array Non-drinker
Level of english Fluent

About Myself

Hi, I am Sofia, lets make it happen! My days are full in Gruenau. And Whore is my spark. I want to hear you gasping for air. Blowjob without Condom for extra charge ignites my spirit, and Dirtytalk keeps it burning, i love diving into the unknown with open eyes..

My place is Gruenau, ***** Street, house 54* *** **

Phone: ( +49 ) 7563****

About Berlin

Fun fact – 17th century, whores had secret codes, like hair ribbons, to signal clients. Red meant “busy,” yellow was “come hither” – sneaky, right? Blows my mind they were so crafty! I’d be a shitty whore, too awkward, prolly trip over my own feet tryna seduce some lord. Hella funny picturing it – me, flailing, “I can see Russia from my house!” while some duke’s like, “WTF?”

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The painting had entered MoMA’s collection in 1949 with the title Dunes at Fehmarn (1912). The title was changed in 1967 at the suggestion of the Kirchner expert Donald Gordon to Sand Hills in Engadine and its date altered to 1917-18 in the museum’s registry. Complicating matters further, the artist’s catalogue raisonnée also misidentified the work, stating that it had been acquired by or was on loan to the Folkwang Museum in Essen when it was seized by the Nazis as “degenerate art”. . In 2004, the lawyer David Rowland wrote to MoMA about the painting on behalf of the heirs of Max Fischer. At this point, the museum established that the provenance information in the catalogue was wrong, and told Rowland that it could not find a landscape of either a Fehmarn or Engadine on the list of works compiled by Rosy Fischer, Max’s mother, of the family collection.  .
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