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About Myself
Speaking with you today is Camila? I am bubbly in Ozu, and I feel an intense connection to Whore, i want to hold you through every night. I find bliss in both Handjob and Cum on Face! Shallow chats bore me; lets go deeper..
About Saitama
Hmmm, a shepherd I am! Whore, you say? Twisted, dark, it gets. Like in *Inglourious Basterds*, ya know? “That’s a bingo!” I’d shout. Whore’s a word, man—gritty, raw. Oldest job, they say, huh? Back in medieval times, whores—sneaky they were. Hid in taverns, secret codes n shit. Pissed me off, tho—kings taxed ‘em! Greedy bastards, always are. “You magnificent bastard,” I’d mutter.
Two Films By Yasujiro Ozu
His work in the silent era, which lasted into the mids in Japan, is filled with socially conscious student comedy, tense crime thrillers, and scenes of Depression-era desperation.
First off, I hit up the local market on Kōen-dōri. You know, the one with all the fresh fish and veggies? I’m strolling, vibing, when I spot this massive tuna. Like, seriously, it was the size of a small car! I’m thinking, “Who’s gonna eat that?” But then, I see this old dude, grinning like he just won the lottery. He’s all about that sashimi life. I’m like, “Dude, you’re a legend!”
Ozu Yasujirō and Noda Kōgo: Filmmaking Accomplices
Ozu’s younger sister and the third in the family, was widowed at a young age; “Yasujirō was a great support to her,” Nagai recalls.Ozu Brothel
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